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ART
APPLIED RESEARCH & TECHNOLOGY
PDB DPDB SLA1 EIGHT CHANNEL MIC SPLITTER
The ART S8 can be used to split eight balanced low
PASSIVE DIRECT BOX SLA2 impedance microphone signals into sixteen bal-
The PDB allows connection of a music source to an anced low impedance microphone signals (eight
instrument amplifier while simultaneously patching 100 WATT STUDIO LINEAR AMPLIFIER pairs). Each channel of the S8 provides one direct
it to a mixer. It automatically balances and matches The SLA-1 Studio Linear Amplifier is a robust yet output and one transformer isolated output from a
the line level output. compact power amplifier designed for studio or even single microphone. Applications include sending
select live applications. It has been designed and the direct outputs to the main or Front-of-House
DUAL PASSIVE DIRECT BOX engineered to provide clean, quiet power and excel- mixer and the second isolated outputs being sent to
The dPDB dual passive direct box features two lent sound with ultra-low noise and distortion. a monitor or recording mixer. The direct outputs
high-quality direct boxes in one portable enclosure. pass phantom power from the main mixer to the
It is a rock solid, roadworthy DI connection of the 200 WATT STUDIO LINEAR AMPLIFIER microphones for use with condenser microphones.
outputs of electronic musical instruments (or other The SLA-2 is a studio linear power amplifier capable S8........................................................$299.00B
audio sources) to the balanced inputs of mixer con- of delivering 200 watts per channel (@8 ohms) with
soles. an incredible 10Hz to 40kHz frequency response. S8 3WAY EIGHT CHANNEL
PDB........................................................$45.00B Compact single rackspace low noise linear design, The S8-3Way eight channel three way microphone
DPDB........................................................60.00B the SLA-2 uses a solid steel chassis and toroidal splitter is ideal for live sound, fixed install, record-
transformer for added long term reliability. ing, and broadcast applications where microphone
PB4X4 SLA1 ....................................................$339.00B and XLR balanced line level input signals have to go
SLA2 ......................................................459.00B to multiple mix locations. Each channel provides
SP4X4 one XLR input, one XLR direct output, with two
DUAL 31-BAND GRAPHIC EQUALIZERS additional transformer isolated XLR outputs for a
POWER DISTRIBUTION Designed to pro use wherever you need a cost effec- total of 3 balanced outputs from each microphone
ART 4x4 Series Power Distribution Systems feature tive way to shape your sound. The rugged, all-steel input signal.
a unique “4x4” AC jack layout on the back of the constructed chassis is well suited for any live sound S83WAY................................................$349.00B
unit where four of the eight rear outputs are set application.
1.25 inches apart, allowing the user to plug in wide EQ355 ..................................................$295.00B PRE AMP
power cables and multiple wall wart devices. The TubeMP is the world’s most popular external
PB4x4 – Power Distribution System TWO-CHANNEL TUBE MICROPHONE tube microphone preamp. The TubeMP’s TEC award
Power Capacity of 1800 Watts • Surge & Spike PREAMPLIFIER nominated design will allow you to obtain profes-
Protection • 8 Rear Outlets with Power Adapter Designed as the ideal preamp for any application, sional recording studio results at a fraction of the
Friendly Positioning. the tube driven TPS II adds warmth and texture to cost of comparable equipment. The hybrid design
SP4x4 – Metered PDS any audio source. This two-channel high perform- of the Tube MP allows it to add warmth and fatness
Power Capacity of 1800 Watts • Surge & Spike ance preamp uses a pair of hand selected 12AX7A to a signal while maintaining exceptionally low-
Protection • 8 Rear Outlets with Power Adapter tubes in the low noise input circuitry. This, coupled noise and high quality. While it’s primary applica-
Friendly Positioning • Pull Out Light Pipes and with ART’s proprietary V3™ (Variable Valve Voicing) tion is as a microphone preamp, the TubeMP is an
Dimmer. and variable input impedance allows the TPS II to exceptional direct box – impedance matching,
PB4X4 ..................................................$ 75.00B deliver incredible performance from cost effective amplifying and improving the sound of any instru-
SP4X4 ....................................................159.00B single space rackmount solutions. ment plugged into it.
TPSII ....................................................$229.00* TUBEMP..................................................$65.00B
TUBEMPPS
TWO WAY STEREO CONVERTER TUBEMPUSB PRE AMP
Single/Balanced – Balanced/Single The CleanBOX The TubeMP StudioV3™ offers superior perform-
converts a consumer level RCA signal to a balanced SINGLE CHANNEL TUBE PREAMPLIFIER ance and a sound quality any ‘on-board’ preamps
XLR professional line level and visa-versa. The The ultra low noise discrete microphone preamp found in today’s low-cost mixers and audio interface
CleanBOX has two XLR inputs and stereo RCA out- front end has an extremely flat and wide frequency units aren’t capable of delivering. Built with all of
puts, as well as stereo RCA inputs and two XLR out- response and can easily handle a wide range of the professional input features required in recording
puts. input signal levels with a minimum of coloration. or live sound applications, the ART TubeMP
The fully adjustable input gain allows as little ‘tube StudioV3™ uses a hand-selected 12AX7A tube in
CLEANBOX ...............................................$65.00B warmth’ or as much ‘tube drive’ as required for any the signal path for maximum tone and gain.
audio source. TUBEMPSTV3...........................................$99.00B
CLEANBOX PRO CONVERTER
CBPRO ......................................................80.00B TUBEMPPS ............................................$ 89.00B 309
TUBEMPUSB With USB ............................129.00B
* = CALL FOR DEALER COST